Post by Corpral HicksFor me it was the FX and creature stuff I wasnt interested in. The editing
was aweful and the story confusing but I got what I wanted. Good creatures.
Yep, damn good critters. :)
Anyway, I just watched it again, and....it actually got a little
better.
As to the editing - if we're not all confusing stylistic taste, I
_think_ what you guys are finding fault with in that regard is the
script - the biggest/ugliest 'editing' problem I saw is just the way
the whole thing is layed out, esp. the flashes to sniper-dude. I don't
think the editor decides how entire chunks of story are laid out; he
just makes the chunks and incidentally connects them.
For some reason, all the wilderness photography has a much more
professional feel than the urban stuff, and I can't figure out why.
The story....*sigh*. They tossed canon to the wind by making the
bio-weapon program a major impetus of Weyland-Yutani. I wish people
would actually pay attention to the movies (Alien and Predator) -
there's a TON of story in there, disguised as horror in the former and
Ahnold actioner in the latter.
The thing needed one funny scene - I'd have written swat-boys first
encounter with the pred as a comedic 'escape by the skin of their
teeth, WTF was that THING?!?!" piece.
Stuff that might have been cool if they'd made it plain: Did the early
Pred go insane or something due to the cold? I mean, those urban shots
_look_ kinda North American, autumnish, kinda brisk. And we know Preds
like it hot, hot, hot. His head was still leaking blood later on,
so...wierd. Or is this some nonsense from the comics I don't want to
know about?
Well, at least there's enough to it to talk about. That's a plus, I
suppose.
And Yutani (or was it Weyland?) definitely needed a vist from "Queer
Eye"; that suit was AWFUL. :)
.